the Dixon Brothers
Local Music Scene SC

1933_Dorsey and Howard Dixon

Local Music Scene SC

1933_WBT Charlotte Crazy Barn Dance show. Dorsey and Howard Dixon.

Local Music Scene SC

1933_WBT Charlotte Crazy Barn Dance show.

Local Music Scene SC

1934_Dorsey Dixon with his son.

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1962_Archie Green with Dorsey Dixon.

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1962_Dorsey Dixon.

Local Music Scene SC

1962_Dorsey Dixon.

Local Music Scene SC

Side A: - Sales Tax On The Women (94676-1) - Intoxicated Rat (94677 1) # Recorded February 12, 1936 in Charlotte, NC - Dixon Brothers: vocal duet - Howard Dixon: slide guitar - Dorsey Dixon: guitar

Local Music Scene SC

Side B: - Sales Tax On The Women (94676-1) - Intoxicated Rat (94677 1) # Recorded February 12, 1936 in Charlotte, NC - Dixon Brothers: vocal duet - Howard Dixon: slide guitar - Dorsey Dixon: guitar

Local Music Scene SC

Side A: - Answer To Maple On The Hill - Part 1 (102816-1) # - Greenback Dollar - Part 2 (102818-1) * # recorded June 23, 1936 in Charlotte, NC - Dixon Brothers: vocal duet - Howard Dixon: slide guitar - Dorsey Dixon: guitar * recorded June 23, 1936 in Charlotte, NC - - - Howard Dixon: vocal, slide guitar - Dorsey Dixon: guitar

Local Music Scene SC

Side B: - Answer To Maple On The Hill - Part 1 (102816-1) # - Greenback Dollar - Part 2 (102818-1) * # recorded June 23, 1936 in Charlotte, NC - Dixon Brothers: vocal duet - Howard Dixon: slide guitar - Dorsey Dixon: guitar * recorded June 23, 1936 in Charlotte, NC - - - Howard Dixon: vocal, slide guitar - Dorsey Dixon: guitar

Local Music Scene SC

Side A: - Maple On The Hill - Part 3 (102817-1) * - White Flower For You (94679-1) # * recorded June 23, 1936 in Charlotte, NC - Dixon Brothers: vocal duet - Howard Dixon: slide guitar - Dorsey Dixon: guitar # recorded February 12, 1936 in Charlotte, NC - Dixon Brothers: vocal duet - Howard Dixon: slide guitar - Dorsey Dixon: guitar

Local Music Scene SC

Side B: - Maple On The Hill - Part 3 (102817-1) * - White Flower For You (94679-1) # * recorded June 23, 1936 in Charlotte, NC - Dixon Brothers: vocal duet - Howard Dixon: slide guitar - Dorsey Dixon: guitar # recorded February 12, 1936 in Charlotte, NC - Dixon Brothers: vocal duet - Howard Dixon: slide guitar - Dorsey Dixon: guitar

Local Music Scene SC

Side A: - Maple On The Hill - Part 4 (07135-1) # - The Old True Love (02568-1) * # recorded February 18, 1937 in Charlotte, NC - Dixon Brothers: vocal duet - Howard Dixon: slide guitar - Dorsey Dixon: guitar * recorded October 13, 1936 in Charlotte, NC - -- Dixon Brothers: vocal duet - Howard Dixon: slide guitar - Dorsey Dixon: guitar

Local Music Scene SC

Side B: - Maple On The Hill - Part 4 (07135-1) # - The Old True Love (02568-1) * # recorded February 18, 1937 in Charlotte, NC - Dixon Brothers: vocal duet - Howard Dixon: slide guitar - Dorsey Dixon: guitar * recorded October 13, 1936 in Charlotte, NC - -- Dixon Brothers: vocal duet - Howard Dixon: slide guitar - Dorsey Dixon: guitar

Local Music Scene SC

1963_Old Time Music at Newport front cover.

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1963_Old Time Music at Newport rear cover.

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1963_Old Time Music at Newport Side One.

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1963_Old Time Music at Newport Side Two.

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1964_Nancy, Dorsey & Howard Dixon_Babies In The Mill front cover.

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1964_Nancy, Dorsey & Howard Dixon_Babies In The Mill rear cover.

Local Music Scene SC

1964_Nancy, Dorsey & Howard Dixon_Babies In The Mill Side A.

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1964_Nancy, Dorsey & Howard Dixon_Babies In The Mill Side B.

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1997_Nancy, Dorsey & Howard Dixon_Babies In The Mill front cover CD release.

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1997_Nancy, Dorsey & Howard Dixon_Babies In The Mill rear cover CD release.

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1997_Nancy, Dorsey & Howard Dixon_Babies In The Mill CD face.

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1973_The Dixon Brothers_Beyond Black Smoke front cover.

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1973_The Dixon Brothers_Beyond Black Smoke rear cover.

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1973_The Dixon Brothers_Beyond Black Smoke Side A.

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1973_The Dixon Brothers_Beyond Black Smoke Side B.

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1983_The Dixon Brothers_Volume I front cover.

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1984_The Dixon Brothers_Ramblin' & Gamblin' front cover.

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1984_The Dixon Brothers_Ramblin' & Gamblin' Side A.

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1984_The Dixon Brothers_Ramblin' & Gamblin' Side B.

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1984_The Dixon Brothers_Volume II front cover.

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1986_The Dixon Brothers_Volume III front cover.

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1986_The Dixon Brothers_Volume III rear cover.

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1986_The Dixon Brothers_Volume III Side One.

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1986_The Dixon Brothers_Volume III Side Two.

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1987_The Dixon Brothers_Volume IV front cover.

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1987_The Dixon Brothers_Volume IV rear cover.

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1998_Hard Times Come Again No More_Vol. 1 front cover.

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1998_Hard Times Come Again No More_Vol. 1 inside.

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1998_Hard Times Come Again No More_Vol. 1 rear cover.

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1998_Hard Times Come Again No More_Vol. 1 CD face.

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2003_Dixon Brothers_How Can A Broke Man Be Happy front cover.

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2003_Dixon Brothers_How Can A Broke Man Be Happy rear cover.

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2003_Dixon Brothers_How Can A Broke Man Be Happy CD face.

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2003_Down In The Basement compilation, front cover.

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2003_Down In The Basement compilation, inside.

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2003_Down In The Basement compilation, rear cover.

Local Music Scene SC

2003_Down In The Basement compilation, CD face.

Local Music Scene SC

2011_The Dixon Brothers with The Callahan Brothers front cover.

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2011_The Dixon Brothers with The Callahan Brothers rear cover.

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2012_The Dixon Brothers_A Blessing To People front cover.

Local Music Scene SC

2012_The Dixon Brothers_A Blessing To People 4 CD set.

I watched the five-night broadcast of Ken Burns "Country Music" and if you have not seen this feature you need to set time aside and watch the entire production. Even if you are not a fan of Country Music you will be entertained and educated both at the same time as I was. I had never heard of the Dixon Brothers but they are reverently mentioned early on in the film as parts of the building blocks of contemporary country music are explored reaching back to their roots based in American Folk and storytelling intertwined with Gospel and Hillbilly.

 

As I researched deeper into their story I discovered theirs was not a very happy one, as a matter of fact, if not for one of their best composition's being stolen then legally restored back to them they would not have had near the national and historical recognition they have achieved. Although Dorsey Dixon did receive much-deserved accolades at the very end of his life and one has to imagine this was a much needed and much deserved affirmation of a man's body of work.

It's an honor to put this showcase together for The Dixon Brothers and for their sister Nancy as well. They worked hard their entire lives and though fame alluded them in that time the music they composed and performed stands strong today solidifying their place in American Folk music for all to hear and recognize.

From Wikipedia:

Dorsey Dixon was born on October 14, 1897 in Darlington, South Carolina. He was one of seven children, all of whom, together with their father, worked at the local textile mill, Darlington Cotton Manufacturing CompanyDixon left school at the age of twelve to start working at the mill; his younger brother Howard started at the age of ten, and their sister Nancy began working there as a spinner at the age of eight. Dixon's family and friends encouraged homemade music and he quickly picked up the traditional and sentimental songs they sang. A family friend and school teacher gave Dixon violin lessons and by the time he was 14 he could also play the guitar. During World War I, Dixon and his brother Howard were employed by the Atlantic Coast Line Railroad in Darlington as signalmen, but lost their jobs in 1919 along with thousands of mill workers. Dorsey found work for a while at a mill in Lancaster, South Carolina before moving to East Rockingham, North Carolina in 1927 to work at the Aleo Mill. Dixon's parents and Nancy and Howard also moved to East Rockingham to join him. There Dixon married fellow mill worker Beatrice Lucele Moody, later having four children with her.

In 1929 Dixon tried his hand at composition, writing a poem about a school house fire. When Howard and his mother noted that the words could be sung to a popular hymn at the time, "Life's Railway to Heaven", Dixon began devoting his spare time to composing. His writing often drew on first-hand experiences, particularly the working conditions in the mills. During this period he produced songs like "Weaver's Life", "Spinning Room Blues" and "Weave Room Blues", some of which were sung by mill strikers during labor unrest in the early 1930s. Dixon and his brother also started performing as a duo at local functions around Rockingham, with Dorsey playing guitar and Howard playing fiddle. In 1931 country musician Jimmie Tarlton passed through East Rockingham and so impressed the Dixon brothers that they changed their performances. Howard switched from fiddle to Hawaiian guitar and Dorsey played his guitar with a "unique finger-picking style". Interest in the duo grew in 1934 when they started performing regularly on J. W. Fincher's Crazy Water Crystals Saturday Night Jamboree on WBT, a radio station in Charlotte, North Carolina.

In 1936 an RCA Victor field crew started recording the Dixon Brothers in Charlotte, and over the next few years a total of 61 songs were released. The Dixon Brothers' records sold well enough that they were able to record during five separate sessions for RCA Victor from 1936 - 1938. During two sessions in 1937 and 1938, Dorsey recorded as a duet with his wife Beatrice. One of his songs, "I Didn't Hear Anybody Pray", about a fatal car accident and recorded by the Dixon brothers in 1938, was recorded as "The Wreck on the Highway" by country musician Roy Acuff in 1942. Acuff could not remember where he knew the song from, but claimed it as his own. "Wreck on the Highway" became a national country music hit, but Dixon received no royalties. In the mid-1940s, and at his family's insistence, Dixon asked a lawyer to file a lawsuit against Acuff, and in 1946 an out-of-court settlement was reached. Dixon was granted ownership of "Wreck on the Highway", a third of the existing $5,000 royalties, and an "undisclosed percentage" of future royalties. Dixon later adopted Acuff's title, and "Wreck on the Highway" became his "best-known and arguably his greatest composition". Bruce Springsteen also wrote a song called "Wreck on the Highway" in 1980, and although a different song, it borrowed "its title and its melodrama" from Acuff's hit.

Expecting further settlements the Dixon family moved to New York City in 1947 where Dixon worked in a Union City, New Jersey rayon factory, but none were forthcoming and they moved back to East Rockingham. With Dixon's musical career all but over, he continued working at the Aleo Mill until 1951 when he was forced to retire due to his deteriorating eyesight. Dixon and his wife then moved to Baltimore, but they separated in 1953 and he returned to East Rockingham without her. Dixon's brother, Howard continued working in the mills until he died on the job following a heart attack in 1961.

Interest in Dixon's music was revived in the late 1950s by students of hillbilly and work song. In the early 1960s folkloristic's Archie Green and Eugene Earle visited Dixon and helped him record a 19-track album, Babies in the Mill. The title track was a new composition by Dixon that was about the Southern textile industry's "shameful abuse and exploitation" of child labor in the early 20th century. They also persuaded him to start performing again and invited him to play at the 1963 Newport Folk Festival, where folk singer Pete Seeger introduced Dixon to the audience. Later Dixon was also asked to have his music recorded for the Archive of American Folk Song at the US Library of Congress. Dixon's brief musical comeback came to an end in 1964 when he had several heart attacks. He relocated to Plant City, Florida to live with his son, the Reverend Dorsey Dixon, Jr., where he remained until his death of heart failure at the age 70 on April 18, 1968. In 2000 the Center for the Study of Southern Culture published autobiographical writings of Dixon entitled "I Don't Want Nothin' 'Bout my Life Wrote Out, Because I Had it Too Rough in Life".

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Darlington, SC

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Local Music Scene SC

2003_Down In The Basement compilation, inside.